Friday, October 21, 2016

European Maces of the Middle Ages and Renaissance (With TFT/D&D Game Notes)

Here is a group of European maces from my collection, covering the 11th to 16th centuries A.D. All are modern reproductions, some of which I assembled or modified.




From left to right:
1. An early mace from the 11th-12th century with a bronze head
2. A somewhat later mace from the 14th century, based on an example found in the Thames River
3 & 4. Gothic maces based to varying degrees on A978 in the Wallace Collection, along with one in the Royal Scottish Museum.
5. A spiked mace from the Renaissance.

The head of the first mace was obtained from Tod's Stuff; I made the haft out of birch turning stock from Rocklers.

The No. 2 mace I was able to get second hand off of SwordForum, International. It is an older, long discontinued Arms & Armor piece. It came in pristine condition and I have not made any modifications to it, finding it perfect "out of the box" as it were. This is a great reproduction, and its sad that it is no longer available.

The remaining three maces are all Arms & Armor production, as well. The two Gothic maces are long discontinued, and represent fairly early A&A work. Indeed, mace No. 3 is the second item I ever bought from A&A back in 1987 (the first was a dagger). The only change made to this piece is to rewrap the grip; however, I am thinking of making further changes.

The fourth mace was more or less identical to the previously described one, though I believe a slightly earlier piece. It has been extensively reworked for greater historical accuracy as described in detail in this blogpost.

The last mace I got for a song off of eBay, along with a discontinued A&A warhammer and an odd sort of "one-off" A&A sword. This type of mace (an "M3" following the typology introduced by Ewert Oakeshott in European Weapons and Armor - From the Renaissance to the Industrial Revolution) is very rare in Western Europe, but fairly common in Persia and India. This particular example seems to be based upon one in the Musee d' l'Armee in Paris, though that is unconfirmed (I can't seem to find a photo anywhere, unfortunately). A line drawing of this example is found in Oakeshott's book, however. This particular mace would be dated to c. 1550 or so.

***

In game terms, whether TFT or D&D, an important point to note about maces (and also to some extent morning stars) is that they are very easy to use by even untrained people. Unlike most other weapons which require precise alignment of, say, the edge of a sword or axe, or the backspike of a war hammer or poll arm, etc., no such precision is demanded of a mace. Anyway it lands it causes great hurt. Further, the method of use, simply swinging the arm, comes most naturally to any hominid - indeed, chimpanzees in the wild have been known to swing clubs in an identical manner.

While for the most part the mace is simply a very fancy club, the concentration of mass at the end of the weapon significantly enhances its striking power, making it noticeably superior to a mere cudgel of wood. And the flanged maces of the later Middle Ages focus the striking power of the weapon onto a fairly small area on the target, greatly increasing the chances of transmitting the force of the blow through armour, breaking bones, etc. Thus, a mace is objectively superior to a simple club in melee combat; don't let any vapid "d6 only Old Schooler" try to tell you otherwise - it's simple irrefutable physics, folks.

Given the ease of use of the mace, the D&D restrictions that forbid Clerics from using most melee weapons apart from the mace have at least a little basis in fact - since the mace is a simple weapon to use it makes a bit of sense that figures who lack the specialized melee training of a Fighting Man might end up with a mace/morning star as a primary weapon. Of course, this theory does not account for why Magic Users cannot wield a mace (or a club, for that matter)... Still, it is food for thought. As an aside, I might allow Fighting Men to have a +1 to hit and/or damage with a mace, to give a bit more incentive to use this weapon. Or maybe not; it depends on the combat rules (official and homebrew) one is using. A good set of rules, however crafted, must take into account the enhanced striking power of a mace, and its ease of use.

For TFT the situation is more straightforward since that ruleset uses a skill system. As originally written the rules lump clubs, maces, and axes together under one talent (Axe/Mace). This does not really make sense, so I propose the following new IQ 6(!) talent:

IQ 6
CLUB (0). Ability to use any weapon on CLUBS table. Note that there is no IQ cost associated with this talent, thus everyone “knows” it, but it is listed here because at least a low human-like intelligence is required to use.
SPEAR (1). Ability to use any weapon listed on the SPEARS table (q.v.). Also allows figure to throw the weapon, if permitted.

Note that the CLUBS table will include the mace and morningstar. Also, I included the SPEAR talent as contrast to show a slightly less intuitive/instinctual (though still very simple) skill that does cost 1 IQ. These talents, by the by, are part of a more comprehensive rewrite I am doing of the TFT Talents - fodder for a future post.

Certainly very interesting weapons that pack quite a wallop! And I will leave off with this wonderful Filk Song, that I had first heard many years ago but only recently managed to find the lyrics for:

A GRAZING MACE

(verses 1-5 by Skald-Brandr Toralfsson
verse 6 is the original anonymous creation
verse 7 from the HOPSFA Hymnal 3rd Edition)

A grazing mace, how sweet the sound, that felled my foe for me
I bashed his head, he struck the ground, and thus came victory

My mace has taught my foes to fear, that mace my fear relieved
How precious did my mace appear, when I my mace received

Through many tourneys wars and fairs, I have already come
My mace has brought me safe thus far, my mace will bring me home

The King has promised good to me, his word my hope secures
I will his shield and weapon be, when he gives me my spurs

And when my mace my foeman nails, that mortal strife shall cease
And we'll possess within our pale, a life of joy and peace

A grazing mace, how sweet the sound that flattened a wretch like thee!
Whose head is flat, that once was round; done in by my mace....and me!

A grazing mace, how sweet the sound that smites a foe like thee
You're left there lying on the ground, you've left the field to me!

tune: "Amazing Grace"
@parody @SCA @filk

Gothic Mace Project

I apologise for the long delay in posts. I've been very busy over the last several months and just haven't had time. While I have in fact several draft posts that are 80% or even 90% ready, I just haven't been able to push one past the finish line for awhile, until now.

I actually completed this one awhile back, but am only just getting around to discussing it. Below are a pair of maces, the bottom one being in the "original" configuration (except the grip which was re-wrapped) and the top one heavily reworked to be more historically correct. The modified one was bought used off of e-Bay and was in need of significant TLC. These are both very early Arms & Armor examples of this type (c. 1986), and have since been replaced with a more accurate model based more closely off of A978 in the Wallace Collection.


Indeed, when I received it, I discovered that the weld bead that held the head (which was screwed on to the end of the shaft) had failed at some point, and been glued (!?) in place. I was stunned to see that! I have no real explanation as to how this happened - the previous owner professed no knowledge of it, and I tend to believe him. Weird. However, it made my rework much easier, since I was able to simply unscrew the head and get to business!

For the project I made several changes to the original mace. In outline, I reworked the head to make it look more like Wallace A978, grinding and filing decorative cutouts onto the flanges, and generally polishing and cleaning up the detail. The haft was rather crude and in rough shape; it was bent, had an uneven twist, and was marred with unsightly grind marks that had not been properly cleaned up. A fair amount of effort went into straightening and polishing it. Worst of all, the guard and pommel discs were simply tack welded to the hexagonal shaft, as opposed to forging/grinding down the grip area of the shaft to make a period correct tang for the weapon. I corrected all of these faults before reassembling and having the head professionally rewelded back onto the haft.

Step by step, the first work was on the head, which involved mostly grinding, but also a lot of hand filing to get all of the little "flourish" details put in, as seen in these pictures:




There was also a fair amount of clean up to remove unsightly grind marks and other work to crisp up some features that were not executed as well as they could have been. Then, I reworked the grip/hilt area, removing the guard disks and creating two copper alloy bits, one for the divider between the haft and the guard, and a peen block in the form of a thick six-petaled "flower." The grip area was ground down to make more of a tang as one would find on a sword - there is a battle axe shown in one of Oakeshott's books that features this method of construction, complete with a wheel pommel.

The grip was done in two halves, glued in place, bound with a leather thong, and then covered in thin leather dyed in an oxblood shade. The following pictures show the hilt both in progress and after completion:








So there you have it! A very ambitious project, that came out pretty well. Were I to do it over again I would make a few minor changes, the most significant being a slimming down and reshaping of the grip, with a goal of making it hexagonal in cross-section, a detail I noted in close up photos of A978 that I have seen subsequent to completing this project. Otherwise, this is an excellent example of the grim yet beautiful arms of the late Middle Ages and early Renaissance. One can certainly smite with great authority with this mace! Couple more pix of the finished weapon:




By the by, this mace is for sale - $450 shipped anywhere in the Continental U.S. (other locations we would need to discuss). Any interested parties feel free to contact me in the comments section.

Tuesday, February 23, 2016

Alternate Reality TFT Product: Up Harzburk!

Here is what the cover to Bili the Axe: Up Harzburk! might have looked like had it been done by Metagaming for TFT rather than GURPS, in a nicer timeline. Note that this would likely have been in a larger "MetaGame" box like Dragons of Underearth and probably the planned Conquerors of Underearth module. It is to be noted that CoU was intended to feature mass combat, which is also a focus of Up Harzburk.

Note that the original adventure as released was deeply flawed and unplayable due to some of the numbered paragraphs being incorrect, too many to be addressed by errata. I have given thought to trying to find and correct these errors, and turn it into a playable module, though that might be too difficult a job.

Anyway, here are the revised covers:



Friday, January 8, 2016

How Tollenkar's Lair might have been improved.

First, apologies for the long hiatus. Life has been getting in the way recently. But I will try and get caught up - my original goal was to publish at least one post a month - and I should be able to make good on at least a couple more posts after this one. So stay tuned!

I have written a review of this adventure supplement for The Fantasy Trip game system here. In that review I pointed out a number of subtle, but in my mind significant, flaws in the adventure. In this post I will suggest how that release could have been made much better. The criticisms are divided between problems with the physical design of the product, and issues concerning the design of the adventure itself.

In terms of the physical product itself, my main observations were (1) lack of counters, (2) unrelated artwork, and (3) the use of the saddle-stitched booklet format. Obviously, adding adventure relevant counters would have been a huge plus to the release (as indeed they would have added much to the whole Fantasy Trip system in general, but I digress). This lack was the most significant flaw from a physical design perspective. The random artwork, while of good quality, was marred by being for the most part not relevant to the adventure. If I could have designed TL, the art would fit the narrative or figures in the adventure, and there would have been rather more of it. While not strictly essential, I feel nevertheless that good, relevant art enhances an adventure supplement considerably. Certainly I assert that this was the case with D&D related modules, for example. Finally, the saddle-stitched booklet was more prone to wear and damage, and even if counters had been present, such a format would not have allowed any means to store said counters. Hence, I would have suggested releasing this supplement in a large "MetaGame" format, as was done with Dragons of Underearth, allowing for more and larger pages vs. a MicroGame, and a box to store the counters in.

One other change I would make that I did not mention previously was to improve the maps by providing one level per page, or part of a page, to avoid the mess of trying to view all the levels on a single page. Sure, it was an innovative space saving idea, but in the end it's difficult to decipher the map, and terribly easy to miss important details.

Going beyond this, I would personally redraw the maps to expand the size of the levels, and add more encounters, to include some that even the supposed "owners" of this Labyrinth (Little Kess and Tollenkar) have no inkling of. Not just monsters and traps, but perhaps more mysterious "otherworldly" things and perhaps background on the ancient "Landmaster Hall" to bring to this adventure a sense of mystery and wonder that was pretty much sucked right out of it at its inception. This would have been a good way to introduce a bit more background and detail on Cidri and Elyntia and their past - a great pity Steve Jackson failed to rise up to the challenge here.

I would also "beef up" the mercenaries on Level 5 with more magic and the like. The whole "stingy with magic" nonsense really doesn't hold any water, as I explained in my first post on this. I realize that, when written, there was probably a concern about folks using basic Melee and Wizard only, and not having the rules for, say, fine weapons, but if that was the case an appendix in the back could have provided a brief excerpt of these rules to allow, say, Jamie Littlejohn to have fine plate and a fine battle axe, along with a couple of magical items. A drawing or drawings of these figures would also be a good thing, if only as a basis for counters.

Tackling the problems with the conceptual design of the adventure is a bit trickier. I honestly don't know which way to go with it - multiple forays just don't make sense in the module as written for the reasons I outlined in my original review, but that is really the only way to tackle Tollenkar and his peeps. One could simply take the suggestion made in the module and cut out Tollenkar and the lower levels, and leave Little Kess and his merry band as the adventure, but that too seems unsatisfactory.

A slightly better approach would be to try a significant rewrite that got rid of either Little Kess or Tollenkar, and left the rest of the dungeon as "untamed", with various random creatures - which would require considerable effort to populate on the GM's part. In this case, if one were after Little Kess and his bandits, one would find the lower levels shunned by that band, and haunted by all sorts of fell creatures. The reverse would be true with just Tollenkar; in this case, the lower levels would be inhabited but the upper levels would be largely unexplored and monster haunted. Tollenkar and his mercs would simply travel by the gate to and from the outside world, and leave the rest of the Labyrinth a mystery to be avoided.

The most straightforward solution might be to do a slight rewrite and simply state that Tollenkar ignores Little Kess and the upper levels for the most part, being involved with various other plots/research/tasks/hobbies/whatever and doesn't really keep tabs on activities up there. Conversely, Little Kess is unaware that his patron Tollenkar literally lives right underneath him. This would be my preferred approach to the problem, as it minimizes the work but provides at least a modicum of logic for multiple expeditions to Landmaster Hall.

What the above suggestions accomplish is that they avoid having to slug through all the encounters and perhaps allow multiple forays, while still avoiding the illogical situation I outlined in my review.

Fixing the above would really make this module standout, and a much more interesting release then it was historically.



Saturday, August 29, 2015

On the Mnoren

One of the odder quirks of TFT, given that it is a Fantasy RPG, is that its gameworld of Cidri and related campaigns did not have much in the way of any religious aspects. While a couple pages in ITL discussed religion, and there are a couple of talents, there is nothing like the deities in Dungeons & Dragons, with various human, demi-human, and even thoroughly inhuman gods and godlike beings, nor is there much of anything in the way of rules for handling priests and the like.

As an aside, my suspicion is that Howard Thomas, who is a very staunch atheist, probably had a strong influence on this aspect of TFT. Also, too, the approach taken in D&D with deities and clerics perhaps motivated an "equal and opposite" sort of reaction.

The upshot is that the closest thing we have to gods in TFT is the subject of this post, the Mnoren (and, no, I am not certain how one is supposed to pronounce that…), or, to give their proper taxonomy, Homo Sapiens Mnorenensis. Here is what is said about them in ITL, pg. 4:

"The Mnoren were human - and a little bit more. They had the ability to move unaided between the many alternate worlds that co-exist with Earth in other time-streams. One ability - but it was enough. The first Mnoren used his talent only six times, and then stopped forever in fright and confusion. But those six trips made him a wealthy man. His power bred true. His children read his journals, and wondered, and experimented. They became the secret rulers of their home planet. Their children did not bother with secrets... they merely ruled.
The Mnoren multiplied and prospered. Three hundred years after Jen Mnoren's first jump, his descendants had found, mapped, and conquered three hundred seventy-one alternate Earths. Three had space travel; eleven had magic. All of them honored the Mnoren rulers.
The key to the Mnoren dominance, of course, was knowledge. Knowledge is power, and the knowledge of one world is power unimaginable in another. Jen Mnoren’s six trips yielded two simple devices and one book, and made him rich. His children imported inventions, techniques, and gold... And the Mnoren power grew. A Mnoren was effectively invulnerable, wherever he traveled. A dozen different protective devices, physical and magical... intelligent bodyguards from strange worlds... and, most formidable of all, a very long lifetime of experience. Anything that could extend his life was of interest to a Mnoren; the medical techniques of 371 worlds made old age merely a measure of experience.

In the "Flora and Fauna" section of ITL, on page 57, the Mnoren are described a little bit more:

"Technically, the Mnoren – the builders and one-time rulers of Cidri – are (were?) human, with one slight difference – the power to travel between alternate worlds. This power made them masters wherever they went.
The power and experience of a Mnoren make him effectively immortal. If a Mnoren is attacked, you may be sure that he will have been aware of hostile intentions as soon as they were formed – and he will certainly have magical, physical, and technological defenses…"

So though they are considered gods, and indeed wield great power, they are really just like us when stripped of their gadgets and magic items (and, perhaps, genetic modifications, nanotechnology, etc.). Except for that one detail about being able to traverse alternate realities…

Let's focus on this aspect first. Happily, there is an excellent, almost spot-on, science fiction reference to this sort of ability from the now ended TV series Fringe. This show was a bit like X-Files and followed the cases of a group under Homeland Security that investigates incidents and crimes perpetrated by means of "fringe" science, whether radical bio-tech, devices that can make it possible to alter a solid wall on a molecular level to allow a person to walk through it, and so forth.

Most relevant to this discussion, though, is the lead character Agent Olivia Dunham who, when enhanced with a drug called Cortexiphan, could actually "shift" into a parallel Earth which was similar in many respects, but radically different in others. I'll avoid going into much more detail, since I highly recommend this show to any who have not seen it (and you can get it off Netflix, hint, hint) but I will use some of the aspects of how the shift occurs to illustrate how the Mnoren's singular power might work.

In the series, there are two possible ways to shift to the parallel Earth. One is by using advanced technological devices and the other through enhanced mental ability. It also helped to be at certain locations where the barriers between the two realities were weakest.

The shift, itself, is sort of like teleportation, only you end up in the same location in the alternate Earth. Of course, this could end up being rather dangerous! Suppose the location you "shift" to is in the middle of an Ice Age and you end up buried under a mile of ice! It seems to me, then, that this Mnoren ability has to have some sort of an "emergency shift back" feature built in, or perhaps an ability to "peer ahead" to the intended destination, else I have a feeling very few Mnoren would have survived were they to accidentally shift to an Earth that was dangerously hostile to life (the Sun went nova, atmosphere never developed, alternate Earth hit by large asteroid and rendered lifeless, etc.).

In "Treasure of the Silver Dragon" the following statement is made:

The Mnoren of Cidri, the world of THE FANTASY TRIP game system, have access to many alternate universes. This access is reputedly the source of the strange variety of life inhabiting Cidri's huge expanse. The existence of alternate universes is a product of creation. Each universe represents a different set of physical laws. Some universes are very similar with minor apparent divergences. These universes may be accessed by Mnoren where the difference is not grotesque. Drastically differing universes aren't accessible.

Also, for the most part, you just end up shifting to an Alternate Earth. You cannot "shift" to, say, one of Jupiter's moons… at least not from Earth. Now, if you first shifted to one of the three Alternates that had space flight, in theory you could jump on a ship, fly to one of Jupiter's moons, and then explore "alternate" moons from there.

Another point raised in Fringe is that, while anyone can use a device to travel between alternate universes, only people with the innate ability can do so without suffering severe (and, given enough trips, lethal) side effects.

It is also worth noting that the shift is usually not instantaneous, nor automatic. Agent Dunham at one point required not only the Cortexiphan but also the use of a sensory deprivation tank to shift – and then the shift was only temporary before she passed back to her start reality. (However, some shifts were accomplished with less help.)

It is also likely that, while the ability to do this is at its heart innate, one has to train oneself to some degree, perhaps even significantly. Therefore, the following talent is proposed for any Mnoren who shift between alternate universes:

REALITY SHIFT (3). Prerequisite: To learn this talent you must be of Mnoren descent. In conjunction with the specific gene that permits travel between alternate realities, this talent reflects the intense mental discipline and training that is required to enable shifting between universes. A shift requires a successful 4/IQ roll and costs 5 ST of exhaustion hits. Success allows the Mnoren to peer ahead into the alternate reality, and can opt to either continue the shift or pull back. The figure can shift itself, along with up to double its weight in "cargo" – to include anything worn, carried or held (thus, a Mnoren could shift another individual, assuming they were small enough). A figure can attempt to shift additional multiples of mass, but must roll an additional die vs. IQ and incur 10 ST of exhaustion hits (so if a shifting figure wanted to move up to three times his mass, then he would roll 5/IQ, four times would be 6/IQ, etc., and the cost would be 10 ST and 15 ST, respectively). If the roll is failed the exhaustion hits are accrued but no shift occurs.

With that, one must ponder where the Mnoren came from and how they conquered the 371 worlds that made up their multi-universe empire. This requires a bit of sleuthing.

So where did the Mnoren come from? A clue can be found here, where it is revealed that Jen Mnoren's six trips yielded, "…two simple devices and one book " It stands to reason that if that was the source of his wealth, then he came from either a magical world or a world without developed magic, for if he had originated from a high tech world it is doubtful that a couple of simple gadgets would have been the source of any wealth at all… Going beyond that, one of the speculative explanations for the Mnoren disappearance was that they died out because, "…their eldritch strain [was] weakened by time and the weight of empire." The word "eldritch" means "unearthly, supernatural, eerie" which lends a lot of weight to the conclusion that they came from a "magical" world, without any high technology.

How, then, did they manage to conquer so many worlds? On the surface this seems easy, even trivial, for as stated previously, "Knowledge is power, and the knowledge of one world is power unimaginable in another." Wouldn't that always be true?

It depends. Magic in TFT is really quite limited. There is nothing in the TFT spell list that is remotely comparable to, say, a Tomahawk missile with even a conventional (let alone nuclear) payload. TFT spells are designed around one-on-one combat, and have little or no application on a larger scale, unlike the more battlefield focused magics found in Dungeons & Dragons. Further, it would be easier for a technological society to deal with hostile magic than the other way around.

For example, how effective would an Invisibility spell be in our world? Certainly useful, but not nearly as effective as one might hope. Assuming it only affects visible light, then certainly any figure using the spell would be spotted quite easily on thermal imaging equipment. Seismic sensors are another possible way of detecting an invisible figure, along with millimeter wave scanners, etc. Other methods may certainly be devised.

And how awed would we be by real magic that we saw? Wouldn't many assume it is just some high tech gadget or neat special effect? So there may not be any widespread "shock and awe", as it were.

Thus, it is less likely that technological worlds would be "conquered" in a traditional sense. Rather, it is more likely done through subterfuge and stealth, with the subjects not really realizing that they are ruled by the Mnoren. I could readily see using Invisibility and Unnoticeability spells to spy and gain sensitive information, which would then be used to blackmail people in positions of power or obtain useful technology to help with their schemes (or both). Assassinations could be done with simple Magic Fist spells, which could easily be undetectable and would fuddle any investigators ignorant of magic ("Strange! I've never seen anything like it in my 25 years as a CSI! The Senator's body was found in a secure zone surrounded by metal detectors and surveillance cameras and suffered massive blunt force trauma consistent with being hit by a sledge hammer, all in front of eye witnesses who could not explain how it happened…"). Money, perhaps in the form of gold brought in from other worlds, might be useful (depends on the society); certainly bringing in gadgets, magic, or even raw resources from other Earths might also raise funds to influence politics on a higher tech world, enabling the set-up of a shadow government a la the game "Illuminati" by Steve Jackson Games.

This supposition is supported by the statement in ITL that, "His children read his journals, and wondered, and experimented. They became the secret rulers of their home planet..." After this, Jen Mnoren's grandchildren simply ruled their planet, but one wonders if on higher tech planets (with or without spaceflight) they maintained their rule behind the scenes?

Indeed, this may explain a great deal about our Earth – who knows, perhaps the members of the infamous Council on Foreign Relations and other alleged "secret" societies are really Mnoren – or at least answer to them!

Then again, perhaps the Mnoren truly have left everyone else alone. This is hinted at in the Dragonodon universe of the Treasure of the Silver Dragon and Treasure of the Unicorn Gold, where it is stated that, "The humans of Dragonodonia know that their Earth has been used by the Mnoren in the past. Numerous life forms haven’t evolved on their Earth and they know it by magical perception. As far as they know there is no current Mnoren presence or influence, as with our Earth."

And perhaps there are other worlds with ultra-high tech that defied easy influence, let alone conquest – a star empire, for example, where Earth was simply a used up husk, as presented in the backstory to Joss Whedon's Firefly/Serenity universe, or maybe turned into an uninhabited "nature preserve" for study and research while the rest humanity has the galaxy as their playground. With no real way of connecting with the civilization (since they can only shift readily to the Earth itself, and likely cannot "shift" a starship with them) they might not really be able to "conquer" anything. Also, what of a world where dread Cthulhu has risen from corpse city of R'lyeh and the Earth overrun with various Eldritch horrors?

There is also a loosely related work of fiction by Robert Heinlein entitled "The Number of the Beast" which uses an invention called a "Continua" device to travel both through time and into fictional universes (in the book, the protagonists traveled to the Land of Oz and Barsoom. In addition to the obvious tie in about traveling to alternate realities, a contributor on the TFT Mailing List suggested that one of the reasons the Mnoren vanished was because they started to explore fictional universes, rather than limiting themselves to parallel Earths.[1] For purposes of this article, I will assume that Mnoren reality shifting only works on parallel Earths, but it is good to at least be aware of this other possible interpretation.

So what became of the Mnoren? In the Labyrinth says this:

Where did they go? Ahhhh... another good question! There are many theories. Perhaps they simply died out, their eldritch strain weakened by time and the weight of empire. Perhaps the assassin's game that their wilder types enjoyed (what prey was really worthy of a Mnoren but his deadly relatives?) drove them into hiding on other worlds. Perhaps they built a grander playground somewhere else. Perhaps they're still here, wise and immortal, watching but not taking part. That's what the villagers believe. They threaten bad children with demons, orcs, and Mnoren."

Probably all of the above. I can see the Mnoren gene becoming less prevalent with time, unless they closely intermarry, which creates a whole mess of problems in and of itself (though perhaps such problems can be cured by magical and high tech medical techniques). One can also speculate that perhaps being in charge isn't as much fun as one might imagine, and shifting to a parallel Earth that has no sentient life might be a nice alternative.

Which does bring up an interesting point, namely that while "only" 371 worlds were ruled by the Mnoren, there must have been many more that were either unusable, or perhaps were "virgin" planets, unexploited by other sentient forms. Can you imagine what it would be like to take yourself and perhaps select others, and colonize an Earth just like ours but without all the congestion, busybodies, etc.? Talk about the ultimate "Galt's Gulch," assuming you could get the necessities across worlds!

Finally, how should one use Mnoren in a TFT adventure? Obviously, one can have them as sort of "gods", but I'd like to make another suggestion: how about a group composed of characters of Mnoren heritage who discover their abilities some time long after the Abdication, and start their own explorations? They lack all of the magic items and gadgets of the "established" Mnoren who left long ago, being descendants of elicit affairs, etc. so they lack the temporal power but retain the ability to shift between worlds.

Another possible approach would be to explore Mnoren gates (no doubt set up to assist transfer of people and goods between worlds in a way that shifting could not accommodate) in a fashion similar to Stargate SG1; indeed, one could use the show's premise wholesale by starting your characters as modern Earth soldiers tasked with exploring these gates and the worlds connected to them! While it would probably be a headache for a GM to run, the concept does have a vast range of possibilities… "So, what Earth do we want to visit, today?"

If anyone does try such a campaign, do report back as to how it turns out!




[1] Subject: (TFT)What happend to the Mnoren? at tft.brainiac.com (see Archives at 27 Jul 2007 02:10:15 +0800)

Thursday, June 4, 2015

TFT Products that Should Have Been: The World of the Silver Dragon...

So, in the spirit of reconstructing covers of TFT supplements (see previous post here) I decided to take a stab at a product that, strangely, never appeared to have been considered, even though it would have been a logical adventure supplement to produce, based on the MicroQuests "Treasure of the Silver Dragon" and "Treasure of the Unicorn Gold" - to wit, "The World of the Silver Dragon."

This supplement would heavily expand upon the parallel Earth glimpsed ever so fleetingly in the aforementioned MicroQuests, which were focused on a North America that had just come out of a glacial period, which has some basic similarities, such as mountain ranges, but many differences (for example, the Great Lakes would not exist, instead being covered by the glacial lake Agassiz, and different climate ranges, etc.). It was a fascinating concept that was never brought to the fruition it deserved.

As a point of fact, I actually developed some text for this, which was shared on the TFT Forums some time ago. I am currently reworking and expanding this; if I get anywhere, I'll share it.

Basically this campaign world supplement would cover the following:
1) Maps of this alternate Earth (Dragonodonia?) based on what is known of our Earth about 12,000 YBP. While many basic outlines would be the same, there would be many other differences, such as the Baltic Sea being an inland lake, England and Ireland part of the Continent, and so forth
2) Discussion of the various cultures to be found, not just the Toltec Empire, or the Mounders from North America, but also various European, African and Far Eastern peoples as well. Mostly in broad outlines.
3) Monster list including many now extinct fauna from this Earth in the Pleistocene, and a few such as dinosaurs that didn't make it in our world. In addition, I've been using GURPS Fantasy Monsters to gin up some Native American/Aztec monsters that would be a good fit for this game world.
4) Special magic for the New World, such as Mounders and Toltecs using their elaborate structures to harness and enhance certain magical effects. Similar might be contemplated for the Egyptians as well
5) Some basic character and NPC templates (Toltec Brujos, etc.)
6) Special rules for Stone Age weapons and technology, such as maquahuilts and similar Meso-American obsidian edged weapons, and the like.
7) Adventure seeds
8) Actual Nahuatl vocabulary, to lend some authenticity to Toltec names.

I think this would have been a real hit, had Howard Thompson pursued it. Too bad he didn't - but perhaps I'll get something useful out that will show what TFT could have been...

And here are the draft front and back covers for this purely hypothetical work. Comments and criticisms welcome!




Coming soon - what if TFT had done Robert Adam's post-holocaust world described in his Horseclans novels? Stay tuned to find out!

Monday, April 13, 2015

Reconstructed Covers for "Soldier City: Shaylle" and "Intrigue in Plaize"

As mentioned in my previous post here regarding proposed but never released TFT materials, there were two items that ultimately were published, but changed to fit a different game universe than originally intended. Specifically the two modules mentioned above, intended as part of the "Land Beyond the Mountains" campaign setting for TFT, and companions to "Warrior Lords of Darok" and "Forest Lords of Dihad", were made part of Gamelords "Haven" setting. Retitled and with some parts rewritten (sometimes lightly and sometimes heavily), they were shoehorned into Haven, but much remains of the original TFT substrate that an effort can be made to reconstruct the modules in their original form. To that end, I have restored the covers to what was likely their original appearance, assuming that the cover art was not changed (which I believe is likely the case, as they were trying to salvage as much of the work as possible). Without further adieu, here they are:


 




I'll probably be tweaking these a bit in the future. For example, some of the description on the back cover of Shaylle is not quite right, owing to the extensive rewrite of the backstory that was done, and the front cover of Plaize will need a spot of work on the border of the center artpiece (the blue shades don't quite match.) Other than that, though, I think these are pretty close analogs to what should have been published in 1983, in a better reality...

Hopefully I will be able to release notes on what was done to convert the text of the modules to better resemble what might have been originally written. Many of the encounters are fairly easy, even trivial, to convert, but some of the backstory has been considerably altered, and it is sometimes hard to distinguish the original plot points.

Special thanks to the creators of Paint.Net for their excellent picture editing program - that really made much of this possible.

Enjoy the covers!